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Korean spring ... DVD

I have nothing against DVD, but good movies for me is the movies they watch and appreciate best. When I want to see a film is film and not on my TV screen (old films is same). So it always makes me a little trouble when I see films that I would have seen on the big screen coming straight to DVD. Unfortunately when it comes to Korean cinema, opportunities to see movies on the big screen are quite rare films not traveling all that much to the Parisian cinemas.

Films authors are better represented, through festivals and curiosity a film buff, but films with a more Popular are extremely rare. When one casts an eye on the Korean films released in cinema in recent months, the gap is immense. A handful of regulars have the honors of the rooms, as Park Chan-Wook , Hong Sang-Soo, Kim Ki-Duk, Im Sang-Soo, Lee Chang Dong or Bong Joon-Ho, and others remain to most invisible, with few exceptions here and there (including Breathless).

no Korean film has come out in 2011, and the timing of spring is depressing for any fan of the genre: one is about to release a film in the weeks to come. Bad luck, in addition, it is a film that has already been shown several times in Paris and I saw last year at the resumption of the Cannes Film Reflet Medicis: Ha Ha Ha Hong Sang-Soo, who had also rightly awarded the Un Certain Regard 2010. Apparently, in passing, that the film would enjoy only 10 copies (according to the French Film) week of its release on March 16. A little thin. After that, the only Korean film certainly on the horizon will be for July, the famous I met the Devil Kim Ji-Woon.

So on DVD that Korean films are most honored in the coming weeks. Three notable films are land and in the next three months in this format. The first landed March 15: Woochi, the magician of modern times (in VO, Jeon Woo Chi), one of the big success of the Korean box office in 2010 (six million tickets anyway!). Well I must admit that I never envisaged that a Korean fantasy action film released in theaters in France, so no surprise, although I would have liked to see the movies Kim Yoon-Seok, the charismatic actor of The Chaser ...

The other two films, however, I really did see the movie through the box before they eventually end up on pancakes. First Into the Fire, announced April 2, a film taking part in the Korean War hero and students embedded in the conflict. Blood Brothers showed that films dealing with the conflict between North and South could achieve French cinemas, but it will not be the case with this one. Yet last fall, when the acquisition of CTV International film was announced, it seemed it was for distribution in theaters, I was very happy ... What a disappointment. The film was also well card in Korea, attracting 3.3 million viewers.

But without question, the film whose speedy passage through the DVD box surprises me most is Bedevilled Jang Cheol-Soo. While the film has not met the same success as the other two, but this movie bloody slice everything is part of the selection of the Cannes Critics' Week in May 2010, and won the Grand Prix of the recent Festival Gerardmer Fantastic Film. I saw him last year the Cinematheque, but I was in a bad physical condition that night and to be honest I barely remember the film because of it. But even if the Korean films that go through Cannes and won awards at other festivals French do not see themselves offered the chance to hit theaters ...

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* Plays Pirates: Freedom and Equality (Happy 2 / 3) * *

We propose a new series of excerpts from What I think Maurice Merry (1910-1991). The first set was the need to live anarchism, renew its social analysis and its revolutionary tactics. For this update is not a betrayal, one must keep in sight our overall goal: freedom and equality . It is in the articulation between these two inseparable goals that can recharge the anarchist struggle. Know where you want to come to have a clear mind when concrete choice is to do. But we also know where one starts, awareness of unequal character of the organization social situation.

P. 63 "Nothing justifies the economic inequality between men, if not the desire to continue membership or access to the privileged class. (...) But men continue to be born free and equal, and immediately losing that freedom and equality to be subject to a scale of utilitarian value, by which their freedom and equality will be measured on the basis of their differences, sources skills more or less likely to be used by the company market and wisely distributed to be integrated into existing structures. "

Faced with this situation of inequality, the conventional political solutions are inadequate insofar as they seek a compromise between a minimum of freedom and equality, if they honestly do not sacrifice one of two terms. Anarchists aim instead maximum complementarity between freedom and equality: there is no choice between freedom and equality in the sense that equality does not limit freedom but allows maximum freedom for tou-te-s. ;

P. 69-70 "It is from the necessities imposed by communal life that is best understood as equality, freedom and responsibility are intertwined. If there can be no real freedom without true economic equality, there can be no equality without economic freedom true. Equality guarantees freedom insofar as it removes all rule of clan or class: equality without liberty is the convict. Guarantees equal freedom because without equality, liberty is wolf in sheep. "

These formulas indicate very clear to both the horizon of the anarchist struggle, and its position vis-à-vis other political currents. It appears that in contrast sacrificing equality, liberalism betrays freedom itself, just as in sacrificing freedom, egalitarianism betrays equality.

P. 95-96 "Unlike the Jacobinism which imposes a single model, libertarian socialism coordinates diversity. Liberalism had also considered this, but it remained dead letter (...) to the extent that partial freedom (...) has met with private property, the economy is an economy class. And this economic equality against which liberalism has encountered is the essential condition of freedom because it provides the means and makes possible the choice. Socialist schools have understood this problem but they have confused equality and egalitarianism. Egalitarianism is opposed to the diversity of human character [: equal] is not reduced to a uniform distribution (Mao jacket) for all but the possibility for people to choose among equally everything he proposes. "

So Happy Mauritius invites us to think that equality is not about individuals to make them identical, but their relationships. The whole problem then becomes: how to build equal relationships between different people? One can start a situation where a person has learned to calculate the location of pillars and the strength of materials, and another capable of climbing formwork and pouring concrete. It is then not only not construct this difference in knowledge hierarchy wage, but also offer the opportunity to question the social construction of these differences themselves, as suggested by the first quote. These considerations are quite general in particular issue to make its revolutionary self, against various attempts to salvage capitalism. That is what will be dedicated the third and final series of extracts.

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Conference - Helena Blavatsky.

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Montreal in May 2006




. Part 3.

. Part 4.

. Part 5.

. Part 6.

HP Blavatsky, Aleister Crowley ... You know those infamous names. These two people claimed "witches" very influential in their time, they left a legacy that feeds the occultists and Satanists worldwide. Among the sources that inspired the Nazis' racial paganism, we find HP Blavatsky, witch senior whose children later thought the New Age.
esoteric roots of totalitarianism

Madame Blavatsky founded the Theosophical Society which was directly inspired by the new age was declared herself openly Luciferian and proud of it! (See excerpt below, no, no it is not a joke)
Spirituality "CARE BEARS "New religion or in the service of the NEW WORLD ORDER?

Chronology: - HERE -

Wizards and occultists.

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Saint George - The Templars and the energies of the earth. Questions

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Embodying the ideals of chivalry in the Western tradition, Saint Georges is compared to the "green man", the "green man" in England. Meaning "the worker of the earth", it is linked to the dragon, the energies of the ground, the rites of celebration of sun, light and spring. For Paul Broadhurst
, it symbolizes the innate intelligence that resides in nature, the power of the sun and light. In addition, St. George does not kill the dragon, he is content to control and train him. It tames the energies of the earth present during initiation rites and sacred ancestral.

The ancients knew these energies. Many civilizations of the Middle Neolithic Age built their sanctuaries in agreement with them. The man, between heaven and earth, then clung to harmonize these energies to improve the balance of the world.





. Part 3.

. Part 4.
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Francis Asselineau.

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Wonderful as usual!




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Hussardelamort Chronicle (22/02/2011).

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A new concept in addition to translations of hussardelamort , the Chronic various information of the Anglo-American he will not translated. Here's the first!


mega-streaming.info/video/UB7N91G41KK4/La-Chronique-de-Hussardelamort-22022011

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Ron Paul - The U.S. is screwed.

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Michelin and Freemasonry.

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Influence peddling!



And she dares to say that FM is not the problem? Let me Laughs!
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Dinner club 23/02/2011 century and the guest list of dinner on 27/01/10. The

- More
the right to demonstrate outside the century now under threat of immediate appearance (according to some sources).



Press Collective's No More Concessions
This list comes directly from an internal source (supposedly) at Century
contains the CVs of the participants and their contact
professional . So a document first hand, even if it was
purged of all personal details.
blogs.mediapart.fr

Guests Diner's century 27.01.10 .
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nanotechnology Transhumanism. Guy Dauncey

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Transhumanism, a particular school of thought developed in United States, which takes a positive view of the adoption of technologies that can transform humans.



Summary video of the conference "Technology Rights" organized at the Foundation for Political Innovation October 24, 2007 .


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- Let your food be your medicine.

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Guy Dauncey presents the research work of Gerry Potter on connections between cancer and diet.



. FRUIT AND VEGETABLES WITHOUT VITAMINS ... .

. Pesticides responsible for male infertility in Europe .
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Bienfait lemon.

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Season: Spring, Summer, Fall, Winter
Energy: 29 kcal per 100 g
Vitamin C: 52 mg/100 g
Minerals: Potassium (153 mg / 100 g) and calcium (25 mg/100 g)

Lemon (Citrus) is a miraculous product to kill cancer cells.
It is 10,000 times stronger than chemotherapy.

Why do we not know about that?

Because there are laboratories interested in making a synthetic version that will bring them huge profits.

You can now help a friend in need by letting him know that lemon juice is beneficial in preventing the disease. Its taste is pleasant and it does not produce the horrific effects of chemotherapy.
. AgentsSansSecret .


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Crop Circles 1950 to 1990.

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. Crop Circles 1994 to 2009. .
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Concert activist

Sunday, February 27, 2011, come support a good cause and meet the group Pirate District: 17 am to 22h CICP, 21 ter rue Voltaire 75011 PARIS

Concert in support of victims of the repression of the Mapuche social movement, with the CSIA-Nitassinan (www.csi-nitassinan.org)

Screening and discussion with musica: THE ANGRY CATS

(Rock ' No Billy - Paname)

20 MINUTES OF CHAOS
(45 minutes of chaos - Dijon Maloka crew)

COLLECTIVE MARY READ
(anarcho-hip-hop - St Etienne / Monceau-les-Twink)



The group will hold a Neighborhood Pirate press table.

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Caesars 2011: Preferred, the forgotten ...

One of the traditions of the Caesars as spectators, is to choose its preferred over predict the winners. This is even more fun than the ceremony is far less predictable than the Oscars, surprises may be numerous. And every year there are always forgotten. A few hours of the Caesars, I feel like choosing my favorite among the principal appointed, and point the finger at those who have been unfairly overlooked by the Academy. For not shelling the categories, I prefer to concentrate on only ten of them here.

Best Film

The nominees: The arnacoeur, Men and Gods, The Ghost Writer, The name of the people, Gainsbourg (heroic life), Mammuth, Tour.

My favorite: The Ghost Writer . If that is my favorite film among the nominees, it seems unlikely that Men and Gods does not win the Cesar for Best Film. And I do not see anything wrong with the victory of good film by Xavier Beauvois.

The Forgotten: The Princess of Montpensier . Passage noticed but not rewarded in Cannes, Hon score without sparkle at the box office ... The exciting film by Bertrand Tavernier did not get the praise and the career he deserved, and it is regrettable that the Caesars have not caught the coup, despite seven nominations for the Cesar possible Best Picture.

Best Director

The nominees: Xavier Beauvois (Men and Gods), Mathieu Amalric (Tour), Roman Polanski (The Ghost Writer), Olivier Assayas (Carlos), Bertrand Blier (The sound of ice cubes). My favorite

: Xavier Beauvois. Polanski would have said, having realized my favorite movie called, but the work to give life to Beauvois Men and Gods is as surely the filmmaker's most deserving.

The Forgotten : Bertrand Tavernier, of course. The director has shown plenty of bottle with La Princesse de Montpensier he had lost none of his modernity and his romance with his remarkable film costume. It is forgotten in favor of Bertrand Blier revolts me. Yeah, me sick!

Best Actor

The nominees: Gerard Depardieu (Mammuth), Lambert Wilson (Men and Gods), Jacques Gamblin (People's names), Eric Elmosnino (Gainsbourg), Romain Duris (The arnacoeur).

My favorite: This is a difficult category to decide. In my eyes none stands out plainly. Elmosnino book may be the interpretation most "performance as an actor, but I biopics swell a little, this one too. Lambert Wilson does not detach itself from its peers in Men and Gods . Depardieu makes Depardieu. Gamblin is good, but then to say he is the best player of the year. And finally, if the interpretation was light, physical comedy and unexpected Duris, her multi-forgotten of the Caesars, who was this year's most deserving?

The Forgotten : If the absence is certainly the most astonishing that the already Cesar Fabrice Luchini, rejoicing in 2010 guests of my father and Potiche , one that is less but is revealed more unfair is undoubtedly the lack of Podalydès Denis, who carried with melancholy and humor failed Eight Times Up . It seems hardly conceivable that Podalydès, one of the best French players for several years now, has been nominated once, for Caesar Best Supporting Actor in Summer Things eight years ago, and that's it.

Actress

The named Isabelle Carré (emotions anonymous), Catherine Deneuve (Potiche), Sara Forestier (People's names), Charlotte Gainsbourg (The Tree) Kristin Scott Thomas (Sarah '). My favorite

: Not having seen Sarah ' , no Kristin Scott Thomas for me. That made me smile the most and moved me the most this year, among the appointees, Isabelle Carré is called, even if the fire by Sara Forestier attracted me.

The forgotten : Melanie Thierry who gave strength and delicacy in the title role of La Princesse de Montpensier Tavernier.

Best Actor in a Supporting Role

The nominees: Michael Lonsdale (Men and Gods), François Damiens (The Heartbreaker), Niels Arestrup (The man who wanted to live his life), Olivier Rabourdin (Men and Gods), Gilles Lellouche (Small handkerchiefs)

My favorite : If there is a price that is expected this year is one that will be presented Michael Lonsdale for his portrayal of the brother doctor in the film by Xavier Beauvois. It's going to get, and he deserves it. Unlike Lambert Wilson, Lonsdale is the soul of the film, strong, calm, imposing its presence once it is on the screen. Too bad for François Damiens, indescribable in The Heartbreaker.

The Forgotten : Christopher Lambert in White Material . In ex-husband jaded and lucid, Lambert shows that it is not a actor direct-to-video, it imposes its presence with its calm and tranquility. A few years ago already, I would have aptly named in that category for Janis and John .

Best Actress in a Supporting Role

The appointees : Valerie Bonneton (Small handkerchiefs), Karin Viard (Potiche), Anne Alvaro (The sound of ice cubes), Julie Ferrier (L 'arnacoeur) Laetitia Casta (Gainsbourg).

My favorite: My two favorites in this category are films that do me not packed. Valerie Bonneton, electric, supercharged, and clearly the most disappointing aspect of handkerchief. And Karin Viard, secretary of the feminist theater Potiche .

The forgotten : Marina Fois, showing that it can be a great dramatic actress in The man who wanted to live his life Eric Lartey. A woman tired Romain Duris, time is remarkable.

Most Promising Actor

The nominees: Gregoire Leprince-Ringuet (The Princess de Montpensier), Raphaël Personnaz (La Princesse de Montpensier), Arthur Dupont (Bus Palladium), Edgar Ramirez (Carlos), Pio Marmaï (D’amour et d’eau fraîche).

Mon favori : Raphaël Personnaz. A mes yeux il écrase la concurrence cette année. Il brille devant la caméra de Bertrand Tavernier, il se montre virevoltant et séducteur, volant chaque scène où il apparaît, magnétique et très bon acteur, avec un petit côté Delon de la grande époque.

L’oublié : Olivier Barthélémy dans Notre jour viendra . L’un des acteurs de Kourtrajmé is trying to make a nice place in French cinema. Faced with Vincent Cassel, he is disarming, disturbing and surprising. There was ample room for him in appointments.

Most Promising Female

The appointees : Leila Bekhti (All That Glitters), Audrey Lamy (All That Glitters), Lea Seydoux (Library Thorn), Anais Demoustier (D ' love and fresh water), Yahima Torres (Black Venus). My favorite

: Anais Demoustier. This is the second time after his delicate interpretation Grown , she was appointed to the Cesar for Most Promising, and she deserved it even then. The young woman displays a disarming ease and always just before the camera, and is among the most talented young French actresses.

The forgotten : Géraldine Nakache in All that glitters. As well as to appoint Bekhti and Lamy, why leave it on the side Nakache? Okay, it would have made more than half of the appointments for the distribution of the same movie ...

Best First Work

The nominees: The arnacoeur Gainsbourg (Heroic Life), Simon Werner disappeared ... , All That Glitters, head of Turk.

My favorite: The arnacoeur . The Academy proved last year that it knew how to show bold in his choices with victory in this category Kissers . And finally, there was no more exciting this year in French cinema as energy, humor, freshness and audacity of the arnacoeur.

The Forgotten: Our Day . He deserved to be named? Sure. Is it any wonder he does not? Not really. The first film by Romain Gavras is not really consensual, either in form or in the tone. But it was his explosive character, and his own cinematic qualities, of course, that made him a legitimate pretender. Too bad the Academy shows cautious with this film.

Best Documentary Film

The nominees Cleveland against Wall Street, Benda Bilili!, Our hands, Oceans, Yves Saint Laurent - Pierre Bergé: mad love. My favorite

: Cleveland cons Wall Street or Oceans, neither do documentaries marked me deeply, and they are the only two I have seen nominated.

The Forgotten : The thorn in the heart . There may be no more shocking oversights that one. Not content to be the best documentary of the year is one of the finest films of all nationalities in 2010. A portrait of filial relationships tender and heartbreaking. A shameful failure.

Best Foreign Film

The nominees: Invictus, The Heartbeats, The Social Network , Illegal, Inception , Bright Star, in his eyes.

My favorite: Heartbeats . Xavier Dolan is much too talented for his age, but it's absolutely disgusting and undeniable magic to the image of his second film, a moment of pure cinematic poetry eyeing the side of Wong Kar Wai.

The Forgotten : I can not blame the voters for not having offered up to Breathless in appointments. In contrast, the Best Screenplay at Cannes, Poetry, one of the most successful Asian art films in recent years in France, could legitimately claim to an appointment. The American A Single Man and English Agora would also beautiful appointed.

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Tron, a film to another film I tested

Two weeks ago, Tron was a mysterious world that was unknown to me. Since a kid, I watched a queer eye far this film has almost my age I never really had the opportunity nor the motivation to see. But in terms of the release of a new Tron, as I had to get down to solving the discovery of the first film, for better appreciate his suite. Within a week, so it was a Tron on sofa then a Tron: The Legacy on the big screen that I set out to see.

My decision to see Tron Vintage 1982 is thus born from the desire to see Vintage 2011. At first glance, it seemed improbable that this film which obviously was unexpected and stunning back nearly 30 years was going to tape my sofa. I already saw the clashes on numerical grid that would have a quaint taste kitsch inevitable. But I had to see it. I had to enter this world so opaque that was thrown at my face in the first quarter hour of the film. What nerve. Be discovered in 1982 or 2011, what gall to propel us without preamble in the midst of these programs in human form. Is it a game, software, hard to identify, difficult to analyze, difficult to grasp. One thing to do: hold, hold on, to advance in this virtual world that we are not really explained.

During the first quarter of an hour, I saw myself running into a wall of incomprehension and denial. Yet without realizing it, I did more thought. I am detached from the opacity. I let my senses be caught by the wandering of Jeff Bridges, an engineer stuck in this computer with programs to compete hard on a bike up and destruction. I let my senses be caught by the virtual maze on the antiquated aesthetic but the complexity and challenge absorbing film fascinating.

Tron is not the name of the universe. Is that of one of his characters. A second film role. A remarkable program combative qualities and nobility of mind and heart that makes a true romantic hero. It helps the protagonist, Flynn (Bridges) to melt into the universe and understand it, he embodies the courage and righteousness. Tron anchor the narrative in the classic adventure by his character, while all around him shouted the unreal, the intangible, the unattainable. A world of pure fantasy that is conspicuous by its boldness that will surely let a bunch of spectators baffled, having managed to be guided.

I'm glued to Tron to see its sequel, but it is a shock film modern in its approach to cinema that grabbed me by the throat, which has moved beyond mere in the mouth than I expected. Now for Tron: The Legacy , then made almost thirty years later by Joseph Kosinski, this was the challenge of the film Steven Lisberger. A film that pays homage to its predecessor while adding a stroke, a shock that he had to honor.

shock it is difficult to talk about this second Tron. Perhaps because virtual worlds are nothing more experimental and revolutionary in 2011. Perhaps because the narrative structure of this sequence is more classical. But if shock does not matter, it is indeed still a trip film that knows how vibrant. When the time comes, in a few months to remember the scenes more highlights of 2011, I already imagine reliving the exhilarating moment occurring at the beginning of the film: after the prologue in which the son discovers Flynn child, a leap in time we did catch up today, the twenty (portrayed by Garrett Hedlund), charging a motorcycle on a highway at night. The first notes of the soundtrack for Daft Punk then rang. An enjoyable piece, totally unexpected as the soundtrack accompanies the fluid running of the vehicle through the city. At that time I never thought about anything, my body had only one function, that of enjoying the moment. Take off my film. A trip promised to be enormous.

Is that the difference between Tron and Tron '82 '11. The second is not able to send the shock of the first surprising, this is not the time for. Then he plays the card of the trip. First, by making us enter a visual world super slick, impressive, but stained dark flash of colors, occasionally taking shape with a 3D who knows, unlike his many predecessors in the format, do not be overly intrusive and excessive. It is distilled more than imposed. The other

Most of the trip is the music assigned to Frenchies Daft Punk. She gives the pulse of the movie, she beat a steady rhythm and mesmerizing, sometimes carrying some unbelievable sequences in one dimension, as this sequence on a motorcycle as mentioned above.

There would be things wrong with this 21st century version of Tron. His lack of narrative audacity, its turning a bit expected, the numerical excess of Jeff Bridges (Jeff Bridges as the natural and bearded impressive stature and a small flash recalling the Zen Dude The Big Lebowski), its absence too much of the iconic character that is Tron. But despite this, the film manages to overcome its flaws for us to sail in the waters of fantasy, adventure in tune with his time, simply amazing cinematic experience. The shock is gone, but a slip in the dream that is lived in the sensations. And happiness is already undeniable.

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Kyrgyz

diversity in film, there is nothing else real. If I was a teenager when I contented myself with happiness for French films and American plus a few exceptions here and there, those days are far behind me. As time passes, my desire to film walks a desire elsewhere. From all corners of the world. I can no longer satisfy me films that everyone talks about. I also want to see those who also take me to the discovery of men, women, cultures and landscapes that will transport me into the new. It is this curiosity that led me gradually to Korean cinema. Like my comfort now put viewers at risk and try everything (until Bulgarian cinema ).

2011 I started smoothly, with little more than twenty passages in theaters yet, but I managed to go snooping around. Thus, between the American and French films of rigor, I took time from January 1 to go explore films English, British, Mexican, Japanese, Canadian, Chinese and Argentinian (and I intend to 'to see an Iranian and a Chilean in the coming days ...). And Kyrgyzstan. It's not every day that is given to see a movie of this small Asian country the former USSR. So naturally, my thirst for Alien movies (yes, Kyrgyzstan is exotic to the movies!) has responded to see what it looked like a movie there.

The film in question is Thief light, a film festival by including past Fortnight 2010, which will hit theaters in a few days. The director, Aktan FYROM Kubat, plays himself in the title role of the film: an electrician illegally providing light to those in her village who can not afford electricity. Everybody calls him Mr. Light. It going from house to house to enlighten others, dreaming of wind while the area was suspended in elections that see men in suits unscrupulous lying around. With its half-boiled half-tragic comedy that recalls Takeshi Kitano , Aktan FYROM Kubat is the heart of a film under the calm and simplicity hides a portrait attentive and engaged on the situation of the country. A country that since it came out of Soviet struggles to stabilize politically and where corruption gangrene society.

Under his attire posed film, The Thief of Light concerned about this instability constant of the long teeth from sniffing the grass where it was grazing. He worries about the search for profit and power being always at the expense of the weakest. Behind the smiles of fiction, draws Kubat filigree uncertainty, melancholy. But there are many smiles. The thief of light based on a lightweight browsing the film nicely. Starting with those of the electrician Robin Hood, climbing poles and trees, gentle dreamer who chooses to embrace his neighbor without ulterior motive. There is also the look on his fellow citizens, their smiles, their funny white hats planted on the head with a charming bonhomie and poetic. A comical atmosphere sometimes approaching those of East European cinema.

I discovered cinema Kyrgyzstan. A simple film, whose sweetness hides muffled cries of distress.

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Remembrance ... I almost see The Lost World Spanish

When I started The impossible Blog cinema, a primary goal was to tell my adventures in the cinemas as well as talking the movies I saw. What is unfortunate is that if, with all my expeditions in the cinemas in Paris, I meet people and lives of offset situations that I can not help but describe in these pages, my life as a spectator did not start in December 2008 with this blog. I took my first steps of viewers in the 80's, discovered my desire for cinema in the 90s, and developed my love of cinema in the 2000s. That's a lot of adventures. Stories to tell. Some forgotten, certainly. Other engraved in my memory.

So naturally, the thought began to trot in my head, why not share some memories of spectators in shorts and cinémaniaque become lingering in the recesses of my memory for almost thirty years (it's so little and yet it seems so much already ...), over the blog, more or less regularly? Wait, I discuss with my editorial board ... what do you think David? Not bad idea, it can be fun. Go go. Awarded.

But where to start? The list of films, movies and memories are long. My first memory of cinema, I already told , no need to target the chronology anyway my memory is not good enough for that. So according to your desires and flashes of the past, it will be funnier. Why not a little sunshine in this gray day in February ... Let me tell you how I almost see The Lost World English. Yes to be original, I'll tell you how I have not seen a movie. Why not.

Replace your watches back fourteen years. You can make yourself a mental picture of the day? About me. It's summer 1997 and I'm not yet 16. Good son that I am divorced, summer the benefit from it twice, and after the Normandy with my mother in July, Spain's direction with my father (although it must have a good family heartbreak!). I remember the road, long (by car!), To the outskirts of Valencia, not far from the coast. A home perched on an uphill road, a house inhabited by an old English friends of friends of my father, a swimming pool in the garden, two beautiful sisters one of whom English was my age.

How long we stayed, I do not know. What did our days (Apart from the pool ...) I do not know. But I remember that in these days of August 1997, The Lost World, the long awaited sequel to Jurassic Park was already released in Spain. Probably one of the films I expected more this year. Spielberg again, after one of the best ever produced in Hollywood blockbusters, how not to look forward to such a film event? Unfortunately, France at the time was the champ to take out the most anticipated films long after the battle, the hex dispensers are preferred in summer and chilly launch their big movies in the fall (aaah, ... The Phantom Menace). Result, while the whole world had been entitled to the Lost World during summer 97, in France, he had to wait until October to find out. The advent of Internet piracy have at least forced distributors to not wait months to release their blockbusters.

But at 97, the idea of waiting for a movie was quite different, and the prospect of The Lost World ahead has arisen for me. The two sisters went out one night with English friends to go see him and offered us in the excellent French that they speak (much better than my English), my sister and me to go see it with them. In retrospect, I realize that summer day in 1997, I demonstrated one of my first acts cinémaniaque. While my sister jumped at the chance and accepted the offer of the sisters ... I declined. The prospect of going out with young English (e) s were beautiful tempt me, the nuns had warned us that the film is dubbed in English and not in the original.

At the time, the idea of going to see movies other than VO did not bother me too, but there was not VF. This was to see one of the greatest films I expected in a foreign language that I find it hard to follow, and I certainly would not understand much about the dialogues. And I was expecting too much for me to settle for a version that I barely understand. No way to see him in English. I said no. I said no to the pretty English (one of the sisters was crisp ...), not a movie I could almost see three months before the French release, much to the surprise of my father who did not understand how I could say no to such a proposal. And I must admit that today, if I could turn back time, I change my mind and I would see, The Lost World English. The thrill of confrontation Hollywood dinosaurs Spielberg would readily appreciate left in English, I am now certain.

My sister had returned from the evening enthusiastic, telling me that I hallucinated seeing how the Spaniards behaved in the room, coming and going often to fetch drinks, pop-corns and others, not as wise as in France. She also told me the movie without me spoiler, telling me what she had understood.

We left Spain a few days later, leaving me to regret this double passing next to a lovely English Spielberg and a preview. I finally saw The Lost World more than two months later in Paris, noting in passing that my sister did not quite understand the relationships between the characters (but how could she understand that Julianne Moore was playing a lesbian?). Fourteen years later, I do not remember having seen him since, but I always remember that day in 1997 when I said no to a English woman who wanted me to come see her. What we can be when one is con teen.

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Plays Pirates: Giving Life to anarchism (Happy 1 / 3) *

To live anarchism, we must give ourselves the means to match the current situation. To this end, we propose here are excerpts from What I think of Maurice Joyeux (1910-1991). Locksmith worker, trade union activist, conscientious objector, Maurice Joyeux is a key figure of the Anarchist Federation after the war. His message is still valid for us, since it relies on general beliefs that are still ours, but also, to the extent that its purpose is just an invitation to live anarchism, that is ie to work renewed discount of our social analysis.

In a general warning, Maurice Joyeux first announcement that it intends to make a very general way.

P. 7 " This text does not pretend to be exhaustive. He has only one purpose: to open some windows to ventilate an ideology whose principles are inalienable but whose means of action, on pain of becoming archaic instruments should be redefined according to changing human needs, techniques and knowledge within a company that renews ceases. "

In the introduction, Maurice Joyeux enters the details of this renewal program, listing several points which must be addressed.

P. 14 " I think some elements of our traditional discourse need to be seriously considered: the economic structure of modern society, the dialectic that guides the thinking and especially the action of men, the transition from the system we know and classless society, the strategy of struggle and, finally, self-management and coordination structures. "

In the first chapter entitled "Socialism, classes and evolution Maurice Merry begins by measuring the magnitude of the task it is to be done to achieve an analysis of the economic structure of society today.

P. 25 " We were trained to understand the mechanism of exploitation of workers by the theorists of various schools of socialism, based on primary mechanisms that have allowed once the development of the capitalist system. But today, we lack a robust theory that considers the changes undergone by the economy over the last 50 years. We restricted ourselves to adapt classical socialist theories on capitalism evolving. Each time an attempt to rethink some fundamental problems has been carried out, it was met with insurmountable wall of misconceptions. "

This is the challenge of giving momentum anarchist means to live up to his time as Maurice Merry invites us to face. To accomplish this task, you must have a clear mind about his sighting, the dual purpose that guides the anarchist struggle, which we will pay attention the next series of excerpts from What I think . A third and final set of excerpts will open on the study of practical means at our disposal.

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The Speech of a King he deserves his reputation beyond reproach?

In ten days, the Oscars will be held in Hollywood, and it seems likely that Speech of King leave with a few statues, and not the least. This "small" British film (based on American standard, as seen from Europe, the film is nothing short) has become the must-see film, first overseas later this year, and since a few weeks in Europe where he visited the inevitable box office. France is no exception, and the film already seems assured of passing the two million tickets in the end.

If the film's success is such, word-of-mouth is not a stranger. I myself was one of the first to rush me, two days after the movie, ready to discover what promised to be one of the great films of the year. The promise of a great story, that of the British king George VI trying to overcome his speech problem to become the great leader that his people needed on the eve of entering World War II. The promise of excitement, laughter, great performances from actors. Yes the wait was great. For since the awards season has begun in the United States, The Speech of a King roundup almost everything. All prices before (and usually foreshadowing) the Oscars, Tom Hooper's film has collected. And the spectators seemed unanimously won.

The expectation was, however, too large. Of course it was too big. It was because of a Speech King is a good little film. Either there is nothing dishonorable to be only a minor film when it is assumed as such, but the campaign and the buzz of the film gives it airs it seems to assume. What do I

of speech a King? I expected a nice little story written in the largest. I was waiting for this movie rooted in a historic fort - the legacy of the Kingdom for a prince who does not see himself king but must overcome his modesty, the entry into the War of Britain in the war against Germany - is ambitious. But I did not find the height of ambition in the work of Tom Hooper.

I saw a nice little story, that of a man wearing a severe stutter, which will rely on unorthodox methods of a professional to address this defect. That aspect of the successful movie, surpassing oneself. It is the heart of the film. But that's about the only depth that the film is consistent with the Tinted relationship of friendship between the stutterer and his speech therapist. The weight of the paternal inheritance of the royal princely son? The difficulty of finding legitimacy housekeeper? England's place in a Europe faced with Hitler and the outbreak of Nazism? The transcendence on the very function of the new king? All that is scanned, the background is sketched, is virtually absent.

Tom Hooper chose not to make a film about the era depicted, or very little. He preferred to focus on human relationships within it. He preferred to settle a theme going on almost everywhere, almost trivial, not relying on the historic fort before him. Yes, Colin Firth and Geoffrey Rush both interpretations deliver rich and wonderful. Yes, Colin Firth will win the Oscar he should have received last year for A Single Man . But the figure is disappointing. It lacks a breath, the size of battles that the man had to carry other than the stuttering. We lack the richness of the political context. Was there nothing to say about what man has thought and done? England came to the time periods in a the strongest of the century, and here's a film with his king at the time the hero is never shown that it has been thought or done. Thinking. Even what to think.

It would be easy to sweep such criticism, arguing that this is not the purpose of the film, it's human relations is essential, and the king's personal struggle cons his stuttering, but this excuse is too easy, and can not convince if the commitment in the film suffers. When King delivered the famous speech of the title, I would be swept away by the word of this man by what he said, he expresses what he has to say to his people. But it is not. For the king, then, has nothing to say to his people. It only reads. It does not express his belief, he does not top his words. He read what he wrote, and nothing in this that the film has shown us so far does not tell us really what this good king thinks about what he reads.

emotion How can she be born that way? While the Beethoven symphony resonating during those few minutes gives grandeur to the scene, but the credit goes to more than Beethoven film itself. Despite that, yes, the movie looks with some fun, easy, trouble-free (no real surprise). It's a film enjoyable. A good little film. Who will triumph over might Toy Story 3 , Inception , The Social Network and Black Swan Oscars. And I do not think it is deserved.

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Black Swan, the dance of suffering

What makes a great movie? The pleasure has been watching him? The well-being it gives us? Technical perfection it deploys? The excitement it generates, or it makes us feel? All at once? It possible. It may be that. This may be something else. Black Swan is it a great movie? I do not know. I know the discomfort I felt watching it. The malaise in which he plunged me all along.

I know I did not like the main character, Nina Sayers, this young dancer who is offered the lead role in Swan Lake that his company will play in a few weeks . It is under the spotlight and wondered if the other dancers, one in particular, do not envy the confidence granted to him Leroy Thomas, the choreographer. I did not like Nina Sayers. No, wrong. I did not feel empathy for Nina Sayers, which is different. I actually felt empathy for any of the characters Black Swan. Usually, it is quite unacceptable in my appreciation of a film (um ... um ... ... Arnaud Desplechin).

The malaise is left of these characters. He did not stop there. He then dived into the atmosphere. This New York dark, gloomy, depressing. This déglamourisation total of universe he would be so easy to make in the light. But the light in Black Swan, is there only to highlight the dark. Without light, no shade, and it is the shadow that interests Darren Aronofsky. She has always had an interest in Requiem for a dream to The Wrestler to take pleasure or out.

Here the darkness is through obsession. An obsession for perfection leads to physical suffering. This suffering I experienced as a spectator. Aronofsky takes us into the shoes of Nina. I am unable to feel empathy for her, yet I saw it. She lives in the film, his obsession gives his pulse Black Swan. Natalie Portman, future Oscar for Best Actress for this role, devours the character and the film. The frail woman delivers a phenomenal performance. Our eyes and shakes his Nina groans, she dances and twirls, it consumes as much as it explodes.

But this is not only a "performance". Black Swan is not a film that gives pleasure or well-being as can others. Pain on the screen become our pain. Fear on the screen becomes our fear. But where other films disgust of such pressure and such psychological pain, Black Swan deploys virtuosity. A virtuosity that is passion. Attention is drawn into the pain and discomfort. "Swan Lake" echoes of the storm and the obsession was born.

I did not enjoy watching Black Swan. I have suffered. I squirmed in my seat to face the horrors of heroin I did not like but which fascinated me. But behind the pain gradually raised the power to an incandescent emotions. I did not enjoy watching Black Swan. It does not make me feel well-being. But it got me hooked, glued, fascinated. He took me round the waist and carried me away in the depths of human darkness, where light is so weak that it breaks out of a dazzling whiteness. Black Swan is it a great movie? Sure.

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2011 has already given us the beautiful film

The weeks pass, 2011 is becoming increasingly real, and I realize that I do not talk enough about movies that attracted me since the beginning of the year. I spent so much time thinking about those who had marked in 2010, and write about those who make me dream for the coming months, I have not bothered to say that early this year, there had already been of great cinema. Finally, if, once. But there was still better than The Green Hornet (and here I've heard them grumble at their screen was not even that good the first Gondry!).

Of course there have been two-thirds of a good film to Eastwood. Of course there was Luis Tosar and Even the rain. But above all there was Sofia Coppola and Denis Villeneuve. Somewhere and Fire . An exploration of existential emptiness and a quest for identity through the years. Nap poolside private one, revelations human public pool for the other. Of laps in a Ferrari for one, perilous crossings through the bullets for each other. Two films that have nothing to do, but two films that mark the beginning year of the print quality.

Somewhere , or the power of hypnosis. Fire, or the power of narrative. I walked out dazed and fascinated the first. I am stunned and moved out of the second. No, Coppola did not steal his Golden Lion at Venice. Yes, Canada deserves to win the Oscar for Best Foreign Language Film at the Hollywood ceremony next. I could spread the whole lines, but sometimes being concise enough to express admiration and emotion.

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Finally the web root!

"After printing, poster glue and wire to cut the butter, Kropotkin Group has discovered that living with his time but also be on the canvas.
Located in a village of 250 inhabitants, asshole deep France, we are in relationship with the world. It's going to eject! "

To visit the group Kropotkin Merlieux: http://kropotkine.cybertaria.org/

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Largo Winch 2: Preview the country ties

Two years ago, Largo Winch , the famous comic strip hero created by Van Hamme and Franck, finally took life in theaters thanks to Jerome Salle and in the guise of Tomer Sisley. If the film has a big budget and an output event-driven, was not the big box of the year, it had worked well enough to open the way for a sequel. The former player of Winch that I had been seduced by the transposition film, a breakthrough muscular and entertaining French adventure film. A sequence must be at the height of the film it follows. It must be even better. Monday night I had the opportunity to go see if Largo Winch 2 (I would have preferred so that a real title should be given following this laconic rather than "2" appended) is a better movie Largo Winch .

The screening took place in an ... unusual. It was a premiere (the film opens in theaters Feb. 16) held by TF1, a partner in the film. I rush into the premises of the chain as a guest of my friend Rick was invited to the evening. Yes, because in fact a simple projection of the film, it was a real little dance, with champagne and appetizers in suit and tie do you-in-here. If there had been a few guests here and there, dressed in a simple sweater, I would have thought that wearing a suit and tie was mandatory so I felt surrounded. Among the few hundred spectators dressed to the nines, or rather most of them, the film's producer, Nathalie Gastaldo, the film's director, Jerome Salle, and star of the film, Tomer Sisley.

After a small cut and something to stall a little stomach, towards the projection room of TF1, a nice little auditorium capable of accommodating at first glance, a hundred spectators. While firefighters forced open the bathroom door to free a child trapped inside (true), Rick and I are taking place in this room made comfortable large leather chairs, in the heart of this fifth leaving a good meter to our legs spread. I do not know the room TF1, I must admit it is great to see a movie. Gastaldo, Room and Sisley gratify us a little speech relaxed before the start of the film. Laurent Storch, Mr. TF1 that night, the MC plays, Sisley made a little fun show. Relaxed. Apparently, most guests are advertisers. Sisley warns that the brush in the direction of the hair because they give money to TF1, TF1 then gives that money to Nathalie Gavaldo, which itself invests in the film, director, and he, Tomer Sisley. So that's the audience tonight advertisers. With Rick, we feel it only slightly in the middle of suit and tie. But personally I am for the movie, so the rest ... Tomer us that this sequel is better than first. Easy to say for the actor. For us to judge.

Largo Winch 2 not starting off right. The beginning of the film is already tiresome. It begins with "Three years earlier," out of nowhere (before that, the movie is just beginning?) Channeled back to a "Three years later, before returning" Three years ago "and eventually choose to return "Three years later". Wow. Calm down. Inch. Let me breathe. Let me immerse myself in the film a bit, pleaaase. After those first 20 minutes, I am convinced that Sisley was wrong. No, Largo Winch 2 not likely to be better than Largo Winch . But the film finally found a style. Round trips tiring give way to a plot that goes into this place. The action takes shape. Following the first film, Largo Winch is thus at the head of the empire W inherited his father disappeared. But Largo does not want this life. He wants to sell the company and devote himself to humanitarian work. Yet the past, a doubt arises. An international prosecutor accuses the company of W have funded a massacre in Burma three years ago. Largo is prosecuted for complicity in crimes against humanity. To him discover what is happening behind the accusation.

After the laborious first minutes of the film, Largo Winch 2 gradually takes shape. The action, projecting from the Burmese jungle to labyrinths of Bangkok, the skyscrapers of Hong Kong to Swiss banks, gaining in intensity. The characters take on the thickness. The first film, except Largo, almost all the other characters disappear altogether or are relegated to the background. All? No. It is one that is expanding instead. The same one that I regretted not seeing more in the first game. Gauthier, Jack Largo. A funny character, intelligent but stilted, which in the space of only two or three scenes were totally in the first film. In this sequel, the writers have had the foresight to make the prisoners Gauthier Largo, fulfilling an important mission for him and the move bringing the freshness of a spring comic finesse.

But Jerome Salle Julien Rappeneau, authors of the scenario, not only of Gauthier. They have a good idea to bring out Simon, who in the comic book was the best friend of Largo, an inveterate seducer forming a great team with the hero. It is introduced here so ridiculous. It seems naive and outdated in the Burmese jungle, and on the verge of death if Largo did not pass in the corner. Rescue by Simon Largo is not only a new born Simon, dropping his old life to devour life fully, but it will rise above all a partner for Largo Winch. Not a partner for business, but for adventure.

is where all the strength of Largo Winch 2 . The writers bring what was missing in Largo Winch . A bodyguard. Two goals from Sidekicks irresistible, impeccable but puny Gauthier and the improbable but true Simon, each perfectly portrayed by Nicolas Vaude and Olivier Barthelemy. When it survives a fall in the sky with the dexterity of Largo, who catches him in midair, he plunged a thousand feet in free fall, screaming. When Largo points out, ground, and asks if it's okay, Simon responds with a flippant "Yeah" so simple it is hilarious.

providing these details is crucial to supporting roles as Largo Winch 2 succeeded his bet to enrich the previous episode. Well course there is the dazzling beauty of Napakpapha Nakprasitte the poisonous charm of cougar Sharon Stone, and fascinating presence, ghostly posthumous Laurent Terzieff. Successful Largo Winch 2 not stop at two characters. Yet they contribute plenty.

The audience of advertisers is not fond of the end credits. They all quickly removed, and were long gone when Rick told me again how excellent sequence of freefall referred to Moonraker, and that other action sequence in a bathroom was a direct reference to Goldfinger . If you say, Rick, you're the specialist in James Bond. Until we agree on the qualities of Gauthier and Simon, I will believe you.